"Evil's in the house." - Leprechaun in the Hood.one giant leap of terror." - Leprechaun 4: In Space the odds are you won't leave alive!" - Leprechaun 3
luck has nothing to do with it." - Leprechaun 2 Striking at women only!" - The Leopard Man An underworld army unleashed!" - Legion of the Dead The battle begins." - Legend of the Red Reaper
"The West ain't no place for a man!" - The Legend of Frenchie King. "It scared me then, it scares me now." - The Legend of Boggy Creek. "This is such stuff as dreams are made of. "Boldly going where no blonde has gone." - Legally Blonde. "It is a birthright of living death." - The Legacy. "Are you ready for a miracle?" - Leap of Faith. And John Smith is on both of them" - Last Man Standing Nothing much has changed." - The Last Picture Show Pieces 1982 tagline movie#
"Compared to every this, every movie you've seen is just a film. 
"By night they leave their graves, crawling, shambling, through empty streets, whimpering, pleading, begging for his blood!" - The Last Man on Earth. "To avoid fainting keep repeating, It's only a movie. "It rests on 13 acres of earth over the very center of hell!". Even for her the worst is yet to come!" - The Last House on the Left Nothing prepared him for our world of change." - The Last Emperor He was born to rule a world of ancient tradition. "He was the Lord of Ten Thousand Years, the absolute monarch of China. He's a Bruce Lee fan so sure he's Oriental he eats popcorn with chopsticks. "He's a martial arts master who refuses to fight. "We Want all the Right to Choose Wrong" - The Last Days of American Crime. "Returning to his past, he found his future." - The Last Bus. "You'll never know what bit you." - Lake Placid. These include two of his One Year Performances made between 1980-2, one of which involved him clocking in to a mechanical worker’s clock every hour on the hour (and being photographed at the same time) for an entire year, while in the other Hsieh tested the limits of human existence even further by living for an entire year outdoors in New York without taking shelter of any kind. Taiwan’s pavilion has found a home in the atmospheric setting of a former 17 th century prison adjacent to the Bridge of Sighs where veteran performance artist Tehching Hsieh is showing meticulously compiled photographs and documentation of his often-gruelling live works. Other National PavilionsĮach Biennale sees more and more national representations finding impromptu locations beyond the Giardini and throughout the city – and its here that some of the most interesting work can be seen, and in some of the most unusual locations. In the Giardini’s Central Pavilion, look out for a gloriously dream-like animation with a rabbit-dog hyrid hero by young New York artist-of-the moment Rachel Rose and also Russian-Dagestani artist Taus Makhacheva’s mesmerising film in which a tightrope walker carries paintings from the national collection of her homeland across a wire that stretches between two mountains. 
Also striking are the playfully sexy embroidered robes and linear erotic drawings by little-known (to me at least) Lebanese artist Huguette Caland, the perkily sexy minimalist relief-paintings of Zilia Sanchez from Cuba, and the flattened latex garments of the late Swiss artist Heidi Bucher.
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